Jeremy Millar

2002
  • Strike! Ed. Gavin Wade (London: Alberta Press)
  • ‘Travellers’ Tales’, on Pierre Huyghe, in Parkett no.66 (Zurich)
  • ‘Dub Rosa’ in Graham Fagen: Love is Lovely (Edinburgh: Fruitmarket Gallery)
  • ‘We are able to walk on air, but only as long as our illusion supports us’ in Liam Gillick: The Wood Way (London: Whitechapel Art Gallery)
  • ‘Algúns relatos breves (para Marine)’ on Marine Hugonnier in A revista do CGAC (Santiago de Compostela: Centro Galego de Arte Contemporánea)
  • ‘Not Here’ in Joachim Koester: Row Housing (Copenhagen: Galleri Nicolai Wallner)
  • ‘To begin to think about how we are to be’ in Carey Young, Incorporated (London: Film and Video Umbrella)
  • ‘Hinterland’ in Adam Chodzko: Plans and Spells (London: Film and Video Umbrella)
  • ‘So!’ in Michael Danner: Japan (Salamanca: Centro de Arte de Salamanca)
  • ‘The Unnaturalness of Reality’ in Sam Taylor-Wood (London and Göttingen: Hayward Gallery and Steidl)
  • ‘Distance and Proximity’ in Graham Gussin (Birmingham: Ikon Gallery)
  • ‘Endotic Observations’ in Oliver Godow (Lingen: Kunstverein Lingen)
  • ‘Detour and Access’ in Peter Fraser ed. Jeremy Millar (London: The Photographers’ Gallery)
  • ‘Recording Conceptual Art’, Book Review, in Art Monthly, 255, (London)
  • ‘Jeremy Millar and Teresa Gleadowe in Conversation’ in The Producers: Contemporary Curators in Conversation (4) (Newcastle: Baltic and University of Newcastle)